Finally, Regis lets his rhythmic noise opus out into the world, a bruising and hauntingly absorbing new album - his first since 2001 - recorded in Berlin with Einstürzende Neubauten’s engineer/producer Boris Wilsdorf and an absolute must if you want a dose of highest grade industrial rhythmic noise or into anything from British Murder Boys to Test Department, Jeff Mills and Cabaret Voltaire.
On a masterful twenty-year followup to ‘Penetration’, Karl O’Connor yields a definitive solo LP that distills his passions for sonic brutalism and bastardised Chicago tracks with syncopated UK swagger and reverberating warehouse ballistics. Its lip-bitingly gripping effect is testament to a resounding reputation as one of Industrial music’s most influential producers, and sees the artist bring his own influences - from Test Department to Jeff Mills - into line with his potent palette of narcotised tones.
Recorded in Berlin with Einstürzende Neubauten’s producer/engineer Boris Wilsdorf, the album’s supple, spartan, and rhythmic gymnastics notably benefit from acres of icy room to roll around and lash out. Snagged around muscular bassline revs, and caressed with keys and vocals by post- punk catalyst Annie Hogan (whose recent turn for Downwards was a total revelation), the 9 tracks portray Regis at his leanest and most mesmerising, which is all the more impressive coming from an artist who’s deliberately held his line through Industrial mutations for more than 30 years.
Between the razor-sharp electro of ‘Everything is Ahead of Us’, and the pure voodoo of ‘Calling Down A Curse’, he sharply carves a uniquely UK and shark-eyed style that lets on to influence from tech-step D&B and dark garage rolige as much as Test Department’s seminal ‘Beating The Retreat’ or 23 Skidoo and ‘Crackdown’-era Cabaret Voltaire.
Highlights such as the swingeing 11 minutes of swordplay drums and bubbling acid in ‘The Sun Rose Pure’, and the straightjacketed funk of ‘I See Fire’ epitomise the rudeness at play, and together with the viscerally personalised sound design virtues of ‘Another Kind of Love’, the immaculate noirish vignette ‘Alone of All Her Sex’, and the lush tristesse evoked by ‘Eros in Tangiers’, this album effectively defines Regis as peerless in his field, and is essential to fans of the artist’s solo classics and with British Murder Boys, Sandwell District, Ugandan Speed Trials and CUB.
KILLER!!!
credits
released May 22, 2020
Mixed at DNS Essex : dns.essex (at) gmail (dot) com
Vinyl Mastered By: Simon Davey
Digital Mastered By: Veronica Vasicka
supported by 45 fans who also own “Hidden In This Is The Light That You Miss”
This album is super fun (and also pretty hard) to listen to, boasting 6 hours of music, and I enjoyed listening to it. All I can say is listen to it. SoundSlater
supported by 45 fans who also own “Hidden In This Is The Light That You Miss”
Black sun in a white world. Techno, trip-hop, DIY D&B. Nice dark atmospherics too. The world will not be a nicer place for this album, and that's a good thing. Simon
The solo project of Philip Quinn (Girls Names), this is dark-edged electronic work with a needle-sharp take on life in the U.K. Bandcamp New & Notable Sep 10, 2019
Throughout "Under," Dyani presents carefully-produced, soundscapes that, in one moment, invite the body to sway with echoing synths, whistles, claves and, in the next, pummel with waves of thumping hi-hats and bass. Bandcamp Album of the Day Sep 22, 2020